Katy Schimert

M.F.A., Yale University, New Haven, CT

B.A., Philadelphia College of Art, Philadelphia, PA

Niagara, Derek Eller Gallery, New York, NY

The Octopus, University Museum of Contemporary Art at the University of Massachusetts, Amherst, MA. Curated by Loretta Yarlow (Spring 2014)

The Elysian Fields, Ochi Gallery, Ketchum, Idaho

The Monster, David Zwirner, New York, NY

War Landscape, David Zwirner, New York, NY

Body Parts, David Zwirner, New York, NY

Mount Vesuvius, 1301PE, Los Angeles, CA

Katy Schimert/MATRIX 181: Oedipus, University California Berkeley Art Museum and Pacific Film Archive, Berkeley, California No Limits Events Gallery, Milan, Italy

Icarus and the World Trade Center, David Zwirner, New York, NY

Oedipus Rex: The Drowned Man, The Renaissance Society at the University of Chicago, Chicago, IL [catalogue]

Love on Lake Erie, AC Project Room, New York, NY

Dear Mr. Armstrong, Janice Guy, New York, NY

Cerebral Spirits: Stalking the Self, University Galleries, William Paterson University, Wayne, New Jersey

If you lived here, you’d be home by now, CCS Bard Hessel Museum of Art, Annandale-on-Hudson, New York Ouattara Watts and Katy Schimert, Bertrand Delacroix Gallery, New York [two-person exhibition]

Next Wave Art at BAM (Brooklyn Academy of Music), Curated by Dan Cameron, Brooklyn, New York (September 21 to December 19)

The Gallery, David Zwirner, New York, NY

Neointegrity, Derek Eller Gallery, New York, NY …drawling, stretching and fainting in coils…, FestSpiele + 2007, Pinakothek der Moderne und Nationaltheater, Munich, Germany [catalogue]

Oedipus Rex: The Drowned Man, The Renaissance Society at the University of Chicago, Chicago, IL [catalogue]

Space is the Place, Cranbrook Art Museum, Bloomfield, Michigan Eccentric Modern, The Foundation To-Life, Mount Kisco, NY

Touch and Temperature: Art in the Age of Cybernetic Totalism, Bitforms Gallery, New York, NY New VES Faculty 2004-05, Carpenter Center, Harvard University, Cambridge, MA

Rendered, Sara Meltzer Gallery, New York, NY

Aquaria, Landesgalerie am Oberösterreichischen Landesmuseum, Linz, Austria To Whom It May Concern, Logan Galleries, California College of the Arts, San Francisco, CA

Fast Forward: An Exhibition Highlighting Our Growing Collection, UC Berkeley Art Museum and Pacific Film Archive, Berkeley, California Heart of Glass, Queens Museum of Art, New York, NY [itinerary: Crafts Council, London, United Kingdom, through 2002] Locating Drawing, Lawing Gallery, Houston, Texas

Oeuvres sur papier, Galerie Romain Larivière, Paris, France Sammlung (1), The Oldest Possible Memory, Sammlung Hauser & Wirth, St. Gallen, Switzerland Drawings 2000, Barbara Gladstone Gallery, New York, NY – Mass Media and Idiosyncrasy: Video as a Female Terrain, Joanneum Museum, Graz, Austria [itinerary: Barbara Gross Galerie, Munich, Germany, through 2000]

Loaf, Baumgartner Gallery, New York, NY Abracadabra, Tate Gallery, London, United Kingdom; curated by Catherine Grenier [catalogue]

Parallel Worlds, Southeastern Center for Contemporary Art, Winston-Salem, NC Five Years, David Zwirner, New York, NY

Surfacing. Contemporary Drawing, Institute of Contemporary Art, London, England

Biennial Exhibition, The Whitney Museum of American Art, New York, NY

São Paolo Biennial, São Paulo, Brazil. Curated by Paul Schimmel Drawings from the MAB Library, AC Project Room, New York, NY The Lie of the Land, University Art Museum, University of California, Santa Barbara, CA

Incidental Alterations, P.S.1 Studio Artists 1994-95; P.S.1. Museum at the Angel Orensanz Foundation, New York, NY; curated by Alessandra Galasso

Licht, Art Prop, New York, NY; curated by Hubert Winter and Warren Niesluchowksi Critical Mass, Yale University Art Gallery, New Haven, CT; curated by Charles Long [catalogue]

Germinal Notations, Food House, Santa Monica, CA AC Project Room, 303 Gallery, New York, NY

Machinations, curated by Eric Heist, Momenta Art, Philadelphia, PA

Baker, R.C. “Best in Show.” The Village Voice (July 25-31, 2007): 48. Sonna, Birgit. “All About Alice.” TAKT (June 2007): 38-41. [ill.]

Yablonsky, Linda. “Happy Returns: New York.” Artforum.com (April 12, 2006)

Page, Amy. “Miami Spice.” Panache (November/December 2005): 68. [ill.]

200 Savoy, Lauret. “Hardness.” Orion (Spring 2002): 28-29. [ill.] Cash, Stephanie. “Surviving and Thriving.” Art in America (November 2002): 58-68. “In a different glass,” Metro London (November 25, 2002): 14.

Aquaria, Landesgalerie am Oberösterreichischen Landesmuseum, Linz, Austria To Whom It May Concern, Logan Galleries, California College of the Arts, San Francisco, CA

Leffingwell, Edward. “Katy Schimert at David Zwirner.” Art in America (October 2001): 156-157.

Rickels, Laurence A. “Katy Schimert: Blind spot and Insight.” Artext, No 68 (February – April 2000): 49-49.

1999 Schmerler, Sarah. “Poor Man’s Pudding, Rich Man’s Crumbs.” Time Out New York (January 14–21, 1999): 50. Schwabsky, Barry. “Surrounded by Sculpture.” Art in America (January 1999): 57-59. Gisbourne, Mark. “Abracadabra.” nu: The Nordic Art Review, No. 2 (1999): 83.

1998 Clifford, Katie. “Katy Schimert.” New Art Examiner (December 1998–January 1999): 57. Avgikos, Jan. “Katy Schimert.” Artforum (December 1998): 129.

Hayt, Elisabeth. “People are Talking About.” Vogue (September 1997): 464-468.

Zdanovics, Olga. “Kathleen Schimert.” New Art Examiner (September 1996): 42.

Avgikos, Jan. “Openings: Kathleen Schimert.” Artforum (September 1995): 84–85.

Schimert. Kathleen. “Sir Lancelot (celluloid star).” Thresholds: Viewing Culture, University of California, Santa Barbara, CA, Volume 8 (1994)

Rees, Michael. “Yale Sculpture.” Flash Art, Vol. XXVI, No. 170. (May/June 1993)

Mount Vesuvius, 16 mm. Running time: 4 minutes, black and white, no sound.

Icarus and the World Trade Center, Super-8 mm film transferred to video. Running time: 5 minutes, color, no sound. D.P. Saam Gabbay.

Oedipus Rex: The Drowned Man, Super-8 mm film. Running time: 5 minutes, color, no sound. D.P. Saam Gabbay.

The Astronaut, 16 mm film. Running time: 20 minutes, black and white, no sound. D.P. Saam Gabbay. Performed by Oliver Reinsch and Katy Schimert. Produced by AC Project Room and Janice Guy. Screened at 65 Thompson Street, New York on March 14, 1996.

Future Perfect, video sequence in Hi 8 and Pixel vision. Running time: 8 minutes, color. D.P. Saam Gaaby. Performed by Katy Schimert.

Sir Lancelot, super-8 film. D.P. Saam Gabbay. Performed by Oliver Reinsch.

Ophelia, video sequence. D.P. Jo Ann Walters. Performed by Katy Schimert.

Member of the Bricolage Theater Company located in New York and Philadelphia.

Rhode Island School of Design. Associate Professor, Department Head and Graduate
Program Director of Ceramics. Faculty member of the Drawing Concentration

Rhode Island School of Design, Visiting Critic, Foundation Studies (Drawing) Spring Semester

New York University, Visiting Professor of Sculpture. Taught Graduate and Undergraduate courses in Sculpture, Drawing, Critique and served on Graduate Thesis Committees.

Harvard University, Visiting Professor of Sculpture, Taught Undergraduate courses in Sculpture and Drawing to Art and Architecture students. Conducted individual critiques and served on Senior Thesis Committees.

New York University, Adjunct Professor and Sculpture and Department Coordinator. Taught Graduate and Undergraduate courses in Sculpture, Drawing, Critique and served on Graduate Thesis Committees. Oversaw the department’s facilities, courses, faculty and staff.

University Of California, Santa Barbara, Lecturer, Sculpture, Photography and Ceramics Departments. (graduate and undergraduate)

Yale University, Lecturer, Sculpture Department. (graduate and undergraduate)

John Simon Guggenheim Fellowship

Joan Mitchell Foundation Artist in Residence, New Orleans. LA

University of Massachusetts Amherst Class of 1961 Artist Residency Fund, MA

Pollock-Krasner Foundation Award, NY

Joan Mitchell Foundation, NY

P.S.1 Museum International Studio Program, NY.

Individual Artists Project Grant, Connecticut State Commission on the Arts, CT

University of Massachusetts, Amherst: Conversation with John Yau, March 27, 2014

Williams College, Landscapes of the Mind: A Symposium: artists and neuroscientists discuss
creativity, visualizing the brain, and the ways art and science connect. Conversation with artist Katy Schimert and neuroscientists Sally and Bennet Shaywitz, March 13.

Cooper Union, Guest panelist for Undergraduate Architecture Review with Cooper Union
Professors: Diane Lewis and guests.

Anne Lind International Program, Lecture and studio visits, sixth installment, May 12 to
15. http://www.canadianart.ca/foundation/programs/annelind/2008/07/03/katy-schimert/

Wexner Center for the Arts, Symposium on Louise Bourgeois, Wexner Prize Recipient, with panelists: Nan Goldin, Katy Schimert, Amei Wallach, Robert Storr and Lisa Florman, May 7th

The Renaissance Society, Public lecture with interview by Martha Nussbaum: University of Chicago Professor of Law and Philosophy, about the exhibition, Oedipus Rex, March 9, 1997. Video Archive.

Artist in Residence, Yale School of Art and Music at Norfolk, CT

Award for Juniors, Philadelphia College of Art, Leo Model Foundation, PA